How to Use Dominant Seven Arpeggios in Blues-Based Soloing

No study of rock guitar would be complete without an examination of blues and blues guitar techniques. The shift from the minor to the major third functions as a resolution from the minor sound of the “b3” to the major/dominant sound of the maj3.

Leave a Reply

The Internet is a big place. You can help us find great new content! Submit your story today.

Newsletter

Never miss a thing! Sign up for our newsletter to stay updated.

About

AxeHunter is a curated resource for guitarists.

Navigation